I began writing short fiction in September 2018 and by June 2020 had published, or had accepted for publication, a total of fifty-eight stories. Many have appeared in deliberately literary magazines, but I also write genre fiction. I’ve published noirish crime stories, some sci fi/horror, and even—despite considering myself a rationalist—several stories that feature ghosts and one whose protagonist is a succubus.
I have a Pushcart nomination and my fiction is forthcoming in THE HONEST ULSTERMAN, THE BROADKILL REVIEW, WILD VIOLET, NORTHWEST INDIANA LITERARY JOURNAL, DOWN AND OUT, LALITAMBA, and HOOSIER NOIR (three times), and has appeared within the last year and a half in XAVIER REVIEW, THE MAIN STREET RAG, THE GALWAY REVIEW (tinyurl.com/y6nxt9nv, tinyurl.com/y4vdsqhe), TWISTED VINE (tinyurl.com/y76m5jqb), MENISCUS (tinyurl.com/yardtt5f), CLEANING UP GLITTER (tinyurl.com/w77eg99), GREEN HILLS LITERARY LANTERN (tinyurl.com/y2lfxysm), RAMBLR (twice), MINUTE MAGAZINE (tinyurl.com/uhwu28n), BETWEEN THESE SHORES, HEART OF FLESH (tinyurl.com/th44enr), THE AIRGONAUT (tinyurl.com/y67mzfmv), A NEW ULSTER, PUNK NOIR (tinyurl.com/y5o2x5fz, tinyurl.com/uwyz7jb), BRISTOL NOIR (tinyurl.com/uzuzo6o, tinyurl.com/vrx6uo8), HOOSIER NOIR, CLOSE TO THE BONE (tinyurl.com/y38ac6jv, tinyurl.com/sc9btxl), HORLA (tinyurl.com/y3k6eewx, tinyurl.com/u49noaq), LITERALLY STORIES (tinyurl.com/y7vf5tsd), COFFIN BELL (tinyurl.com/sx2ze6q), YELLOW MAMA (tinyurl.com/yx8ecvo4 and three stories at tinyurl.com/y5yzozel), FRONTIER TALES (tinyurl.com/qsqtom3), FLASH FICTION MAGAZINE (tinyurl.com/vcmpa3f), PULP MODERN, DARK DOSSIER (four times), THE HELIX, SARASVATI (twice), SAGE CIGARETTES (tinyurl.com/yyotrtsb), ECLECTICA (tinyurl.com/y73wnmgq), EROTIC REVIEW (tinyurl.com/y8nkc73z, tinyurl.com/y36zcvut, tinyurl.com/y9w9qfcp), CLITERATURE (tinyurl.com/y5m8arzn), HORROR SLEAZE TRASH (tinyurl.com/qno5ucu), DOWN IN THE DIRT, and CHILDREN, CHURCHES AND DADDIES.In 2008, my wife and I founded our nonprofit (karimufoundation.org) to bring new schools, clean water, and clinics emphasizing women’s and children’s health to three contiguous Tanzanian villages. On Karimu’s home page that’s my wife of forty-one years, Marianne Kent-Stoll, embracing a Tanzanian friend.
Marianne and I have four adult children.
I work in the Marketing and Admission offices of Idyllwild Arts Academy, a residential arts high school in Southern California, near Palm Springs. I work largely with the Academy’s big—over fifty percent—population of international students, who come to us from about three dozen different countries.